Blacksmiths

Francesco e Paolo Zanon

Ritratto 1
  • LABORATORY: Officina Zanon
  • MATERIALS: Metals
  • PRODUCTS: Metal parts
  • NEIGHBORHOOD: Cannaregio
  • AVAILABILITY: By appointment
  • ADDRESS: Calle del Magazzen, 3213

The workshop of Francesco and Paolo Zanon, master blacksmiths and ironworkers, was founded by their father, Gino, in 1942 near Sant’Alvise. Starting as teenagers, Francesco and Paolo mastered traditional blacksmithing techniques like forging, tempering, and engraving. By the 1960s, they expanded into architectural ironwork, forging a defining collaboration with architect Carlo Scarpa that spanned three decades.

Their work with Scarpa began with the Olivetti Showroom in St. Mark’s Square and extended to projects such as the Querini Stampalia Foundation, Casa Balboni, and the Brion Tomb. Scarpa’s meticulous, hand-drawn designs—often annotated with color codes and dimensions—demanded extraordinary precision and adaptability. The Zanons’ ability to interpret these intricate plans and adjust them during production made them indispensable to Scarpa. The relationship thrived on mutual respect, with the Zanons’ craftsmanship giving tangible form to Scarpa’s vision in iron and metal.

Francesco, with his intuitive creativity, specialized in sculptural and artistic projects, while Paolo’s expertise with machinery ensured precision in structural elements. Together, they created complex metalworks, often favoring mechanical jointing over soldering to maintain structural integrity. Their workshop is a living testament of their legacy—a trove of prototypes, maquettes, and tools from these collaborations.

 

 

Beyond Scarpa, the Zanons restored ironwork in Venetian landmarks and crafted bespoke pieces for private clients, churches, and public commissions. Their work has long been celebrated for their balance of aesthetic and technical mastery.

Awarded the title of Master Craftsmen in 1980, the Zanon brothers are now in their late eighties. They leave a legacy of unparalleled craftsmanship that, sadly, sees no hope of continuation; and a body of work that continues to inspire architects and artisans alike.